Since its founding in 2008, Qaggiavuut! has advocated for a Nunavut Performing Arts Centre. Now, after eight years of annual consultations, the not-for-profit organization is preparing to launch an international fundraising campaign to make it a reality. On July 1— 50 years after Prime Minister Pierre Trudeau presided over the building of the National Arts Centre—Qaggiavuut! will begin pursuing financial support for a dedicated performance space for the region. Read More
Inuit Art Quarterly Editor Britt Gallpen has been recognized as Editor Grand Prix, Honourable Mention at the 2017 Magazine Grands Prix. The award is one of the two top honours of the awards program and “recognizes excellence, leadership and mentorship in magazine editing, and is awarded annually to one individual for their achievements at the nominating magazine in the previous calendar year.” The inaugural Editor Grand Prix was awarded to Carole Beaulieu for her work at L’actualité.
The Hnatyshyn Foundation announced today the laureates of the REVEAL Indigenous Art Awards at a ceremony in Ottawa. These one time awards were created to honour emerging and established Indigenous artists working in traditional and contemporary visual arts, media arts, film, fine craft, music, literature, storytelling, theatre and dance who have shown exceptional leadership in both their home communities and on the world stage. Read More
The Inuit Art Quarterly has been shortlisted for Best Magazine, Literature and Art in the 2017 Canadian Magazine Awards.
The nomination, announced March 30, 2017, recognizes excellence in publishing in the arts and literature, including poetry. This is the inaugural year for the Canadian Magazine Awards presented by Magazines Canada. This is also the IAQ’s first nomination for a ‘Best Magazine’ award in its thirty year history. Read More
The Inuit Broadcasting Corporation (IBC) announced earlier in March that significant progress has been made on the Inuit Film and Video Archives (IFVA), which was established to preserve and make accessible the significant collection of historic video and film that the IBC holds. The IBC produces award winning television programming by Inuit, for Inuit, supporting and celebrating Inuit cultural identity and practices. The IBC has collected over 40 years of film that includes an estimated 9000 hours of footage, which the IFVA archivists are working to digitally preserve, make accessible and physically protect. The process of digitization began a few years ago with some tapes being sent to Ottawa to be converted and others remaining in Nunavut. Digitization is costly and time-consuming but is important to preserving the legacy and impact of the IBC.
In May 2016, Shuvinai Ashoona was elected to the Royal Canadian Academy of Arts (RCA) for drawing. Although Ashoona was unable to attend the formal ceremony in Vancouver, the Inuit Art Foundation was able to assist in send her award to Kinngait with board member Pat Feheley in early February 2017. A community gathering was organized on February 8, 2017—including members of her family and Mayor Padlaya Qiatsuk—where Ashoona was surprised and presented her diploma and sash. Ashoona joins the ranks of a significant group of Inuit artists who share the RCA distinction including Helen Kalvak, OC (1901-1984; awarded 1974), Jessie Oonark, OC (awarded 1975) and Kananginak Pootoogook (awarded 1979). Read More
Kananginak Pootoogook, RCA (1935-2010) has been named as a participating artist in this years Venice Biennale, opening May 13, 2017. The late Kinngait (Cape Dorset) artist, known for his distinct figurative style and often humorous approach in both his graphic and sculptural works, is the first Inuit artist to be included in the fair. Read More
Historica Canada has launched a new Heritage Minute highlighting the groundbreaking career of the late Kinngait artist Kenojuak Ashevak today. The Heritage Minutes program relaunched in 2012 and is best known for its ubiquitous shorts from 1990s television that feature important Canadian cultural touchstones. The Kenojuak Minute was filmed on location outside of Kinngait last November and is the first to be produced entirely in Inuktitut as well as English and French. Read More